Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...
Perhaps surprisingly to some, Bass Generation marks ten years in the career of Swedish producer Jonas Altberg, whose arduous brand of house under the Basshunter moniker has only fallen on mainstream UK ears since early 2008. Yet he's risen through th...
Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
Whereas 1984's Purple Rain had seen Prince merge the on-screen and on-record perfectly, remaining a classic to this day, Parade can't quite claim to be as essential. Again a soundtrack to one of the Purple One's excursions into cinema, it supports th...
The last great Who album
Many songs here have tinges of greatness in them but something or the other ( their length or the lyrics ) stops them from actually reaching their peak. New Song is a good one basically saying how self jerking the rock music ...