Gnagnagna, « Lock Up c’est quand même ‘achement moins bien que RATM »… Mais ils sont cons ou quoi ? Est-ce que du Lock Up anglais ont dit « c’est quand même ‘achement moins bien que Napalm Death » ? Non. Parce qu’on peut déguster à la fois la boule v...
Perhaps surprisingly to some, Bass Generation marks ten years in the career of Swedish producer Jonas Altberg, whose arduous brand of house under the Basshunter moniker has only fallen on mainstream UK ears since early 2008. Yet he's risen through th...
That Q-Tip spent his own money to purchase the rights to this previously-shelved album suggests how close it is to his heart. That it took the name he chose when converting to Islam in the mid-90s, Kamaal, as its title suggested that this follow-up t...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
Subtitled The American Radio Sessions, this double-disc set collects largely acoustic versions of classic T. Rex songs performed in 1971 and 1972, when the original glam rock pixie was trying to bust his way into America. Both the poor recording qual...
In 1992 Kate Rusby was, you fondly imagine, a nervy teenager who couldn't have dreamed of the outstanding career that lay ahead. The notion of a gentle young singer from Yorkshire with a mostly traditional repertoire lighting up a largely moribund Br...