In 1992 Kate Rusby was, you fondly imagine, a nervy teenager who couldn't have dreamed of the outstanding career that lay ahead. The notion of a gentle young singer from Yorkshire with a mostly traditional repertoire lighting up a largely moribund Br...
One of the most unique shmup OST's for one of the most unique arcade shmups ever made, and arguably Tamayo Kawamoto's masterpiece. Not a single track here is forgettable or feels wasted.
The game starts with some fittingly energetic tunes ('Penetrati...
Gnagnagna, « Lock Up c’est quand même ‘achement moins bien que RATM »… Mais ils sont cons ou quoi ? Est-ce que du Lock Up anglais ont dit « c’est quand même ‘achement moins bien que Napalm Death » ? Non. Parce qu’on peut déguster à la fois la boule v...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
Perhaps surprisingly to some, Bass Generation marks ten years in the career of Swedish producer Jonas Altberg, whose arduous brand of house under the Basshunter moniker has only fallen on mainstream UK ears since early 2008. Yet he's risen through th...
Nathan Williams has never been one for welcoming listeners into his world with open arms. In fact he's made things decidedly difficult since the first few Wavves tracks spread like wildfire around the web in 2008. Two hastily thrown together records ...